“He’d come over to me and he’d go, ‘We’re in this. During the first cast dinner for the Marvel movie, Duke made sure to seek Bassett out and thank her for the legacy she had left behind at Yale.įrom there, Duke immersed himself in Panther-embarking on a two-month-long training session with Boseman, talking shop with screenwriter Joe Robert Cole, and secretly geeking out about the set with Daniel Kaluuya, another cast member with limited blockbuster experience. They were both members of Folks, an acting club on campus for students of color, which was co-founded by Yale alum Angela Bassett-who, yes, is also in Black Panther. He took a year off to hone his craft in Baltimore, then journeyed north again to enroll in the Yale School of Drama, where he became “really close friends” with an upperclassman named Lupita Nyong’o-the future Oscar winner and his eventual co-star in Black Panther. She signed him up for the theater club and he never looked back, going on to study theater at the University of Buffalo. That adolescent-onset introversion, however, stayed with him through high school, until one of his Spanish teachers noticed that he came alive whenever he had to make presentations to the class. As she shuttled back and forth to the City College of New York, Duke withdrew into himself, spending most days after school going to the library or to a local comic-book store called Winston’s. When he was 9, his mother sold the restaurant and all their earthly possessions and moved the family to a studio apartment in Brooklyn in order to support Duke’s older sister as she pursued her dream of becoming a doctor.
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When Duke was a kid, he would show people to their tables, quickly learning how to charm strangers. His mother worked for the government and had a restaurant on the side that often reeled in tourists. We come through the front door.”ĭuke grew up in Tobago, in a small village called Argyle a light accent still colors his voice. “The panther is sleek, the panther is sneaky, the panther is covert-meanwhile, the gorilla will show up and bang on his chest and make noises to warn you about what is about to happen if you continue to cross the line,” Duke says. It’s just one of many ways the Jabari differ from the city-based Wakandans, who largely worship the panther god Bast. To find M’Baku’s voice, he researched and imitated Nigerian accents, further separating the character from the South African-inspired T’Challa. He also came up with certain ape-inspired characteristics for the film, including a scene in which the Jabari men grunt at an outsider who speaks without permission-a threatening cue for that person to shut up. So being a bit gorilla-influenced was a sense of pride for them.” “To them, this is just who they pray to, and they find their strength and agency in this religion. But by contextualizing the Jabari religion, Duke found an elegant way to sidestep negative or racist perceptions: “They haven’t been affected by colonialism and all the narratives that are associated with developing a sense of inferiority and people comparing them to animals,” he says. The Jabari tribe is known for worshipping the gorilla god Hanuman in the original comics, M’Baku was actually introduced as “Man-Ape,” a name abandoned by the film adaptation for obvious reasons.
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